Playing a showcase festival is not at all an experience that resembles a normal concert performance. If on one hand it requires detailed background preparation, b2b thinking, and hours of homework dedicated to the usefulness of the contacts potentially made with the audience of music professionals to whom we want to get our artists’ music, on the other hand there is the need to be technically more agile, travel light, and be as adaptable as possible with regard to the logistics of the show itself: we have to present ourselves in the simplest, most sensible and secure way, ensuring that we grab the interest of this professional audience in the first minutes of a showcase performance ...